Photoshoots

Dane DeHaan in "So It Goes" magazine (2014): interview by Derek Cianfrance

Dane DeHaan in “So It Goes” magazine (2014): interview by Derek Cianfrance

This Dane‘s interview by Derek Cianfrance is something that should be read by all Dane fans. Please credit Dane-DeHaan.org if you are posting the text on your websites or blogs.


Dane DeHaan

Photography Guy Aroch Words Derek Cianfrance

You may not know it yet, but Dane DeHaan is a movie star. Leading man, can’t-take-your-eyes-off-him movie star. Rising to prominence with stand-out roles in sleeper sci-fi hit Chronicle (2012) and HBO’s In Treatment (2010), the Pennsylvania-born actor went on to steal scenes from Tom Hardy and Shia LaBeouf in the John Hillcoat prohibition-era bootlegger film Lawless (2012) and out-Gosling Gosling in Derek Cianfrance’s gripping 2013 outing, he Place Beyond the Pines.

Today, DeHaan is one of the most in-demand young actors working in Hollywood.

Life, the Anton Corbijn picture in which DeHaan plays James Dean, is one of the most anticipated releases of recent times. In a very special interview, friends and collaborators from The Place Beyond the Pines DeHaan and Cianfrance discuss true love, nightmares and film.

Derek Cianfrance: Dane when was the first time you fell in love?

Dane DeHaan: When I was in high school I used to say I didn’t believe in love. I would think I was going to be alone for the rest of my life and now I’m the guy who’s married to his high-school sweetheart. In a weird way I’ve never been through a big breakup. I’ve only been in a long-term relationship with one person. Her name is Anna, so Anna is the first time I have been in love, true love.

DC: Wow. Growing up, did you ever have an ‘A-ha!’ moment about wanting to be an actor?

DDH: I never had an ‘A-ha! ’ moment. I always knew I wanted to be an actor. I don’t really remember anything else apart from always wanting to be an actor. Forrest Gump is a movie that stuck with me. The Talented Mr Ripley too.

DC: Did you ever see Purple Noon?

DDH: No I’ve never seen that. What is it?

DC: I’m not going to tell you, you should watch it. I preferred it to The Talented Mr Ripley. You should watch it and then we’ll talk about it.

DC: As an actor your work means wrapping your mind around a whole other person and not thinking about yourself. What’s it like when you are done being that person? Do you go through a period of confusion or identity crisis?

DDH: It almost seems pompous to say it, but it is something similar to that. There have been things that have ended that have tom through me like a death. If it’s something I have grown so close to, when it’s over it hurts, you know. I did a play once and I couldn’t talk about it for about three years without crying because it was like a death to me when it ended. That’s kind of what it’s like with these characters. It’s almost like getting a best friend and you leam everything about them and you leam how they work and you live with them and then this part of you dies and they go away.

DC: When was the last time you cried Dane?

DDH. I think the last time I cried was when I watched the Justin Bieber documentary a few nights ago! That movie is designed to make you cry but you know, it got me, it really did!

DC: Do you ever get recurring nightmares? In no way related to the Bieber documentary.

DDH: Yes, I imagine ants crawling out of my skin. I will look down at my hands and there will be this giant bug in my skin or spikes growing out of my hands and it won’t hurt but it will be disturbing to look at. Sometimes I take them out and again it won’t hurt at all but it will be really weird to look at and freak me out. That is my recurring nightmare.

DC: How often do you have that one?

DDH: I would say twice a month.

DC: Wow.

DDH: It has different ways of manifesting itself. It’s not always the same dream but it’s the same theme.

DC: We had an interesting first meeting during the audition process of The Place Beyond the Pines.

DDH: Yeah, I was pretty stubborn throughout. You wanted me to audition to play AJ and I didn’t want to be AJ, so I made a tape for Jason and you wouldn’t watch my tape at first because you knew I was being stubborn. I think you watched every other tape until you watched mine, so you’re stubborn too!

DC: When I finally watched your tape, I realised you were the guy; the guy to be Jason. The fact that you knew it before I did made me completely trust you forever. When I met you it was just that pure trust and admiration. I like being wrong. I am wrong most of the time, but sometimes it’s great to be wrong. That’s what I love about filmmaking — that collaboration of ideas and people. Everyone puts their ego to the side and they are on a quest after truth and then higher forces call or something.

DDH: The memory that stuck with me is when we were in the woods and there were so many mosquitoes because a hurricane had just ripped through town. They were everywhere and a woman who was doing the make-up was walking in a full body mosquito net around the forest.

DC: We had so much fun with it Sometimes when shooting a movie, real life kicks in. Remember when you had the gun on Bradley (Cooper) and Bradley disarmed the gun from you in a second like a ninja?

DDH: Yes!

DC: I used to watch that frame by frame in the editing room. It was literally two frames – him grabbing the gun and then bullets flying everywhere. These ninja moves! I remember you had to stand further back in the first take. That’s what I love about working on set, finding some truths and not having to hit certain marks. I think that’s why we connected because we both wanted that.

DDH: That kind of a set is rare where you have one take and something is too raw so you don’t do it, but on this set you should grab the gun. That’s what acting really is and that’s why we connected.

DC: You’ve got that fire inside of you to be able to do anything you want to do.

DDH: Thanks, Derek.

DC: I think you know yourself well enough, like you knew yourself well ehough not to be AJ and have good instincts to turn things down and s^y yes to certain things. By turning things down you are also saying yes to other things. By saying no to AJ you were saying yes to your true path and I think that is a huge thing for any creative person — to trust their instincts. I have to say, with casting Pines, that was one of the challenges I had; these two movie stars that were in Act One and Act Two, you know, I have the Ryan Gosling movie then the Bradley Cooper movie and then I had to go to a third movie of these kids. When I found you and Emory I felt like you were of that ilk. Carrying that baton of being incredibly gifted craft people as actors but also undeniably charismatic and compelling human beings. Tell us about taking on the role of a real-life character like Lucien Carr in Kill Your Darlings. What approach do you take to that? How do you go about embodying a Beat who is publicly known and mythologised?

DDH: I guess with acting there is no method to the madness. Lucien Carr for example is not a well-documented person, so there is very litde to read about him -1 had to dig in. James Dean was obviously different; he is so hugely documented to the point of mysticism and most of it isn’t really true anymore because he is so widely written about. They are very different roles in that sense. With Lucien Carr it was trying to get a feel for who he was through his letters, but the script is very important with the James Dean film Life. On top of the script, I wanted to find the real Dean; one book I read would say one thing, and the other would say something completely different. Some say he only smoked Marlboros and some say he didn’t care what he smoked.

DC: How have you found that shift between making movies on an independent scale and then going over to a studio project? I think you’ve dealt with more extremes than I have.

DDH: The main thing with studio movies is that you have so much time. On The Amazing Spider-Man 2 we had six months and no one was ever in a hurry. If you don’t finish a scene that day then you do it the next day. With independent movies, a lot of the time you are going so fast, you’re always pushing. Time is money and ultimately they don’t have as much of that. You’re on set to be an actor and that part of it is always the same with the only difference being the resources.

DC: The movie I’m doing at the moment {The Light Between Oceans) seems very similar to every other one I ’ve done in the way that there is never enough time and never enough money. You know that saying ‘a squeaky wheel gives you grease’? I’m like the squeaky wheel. I am the most annoying person in the whole world. I guess it was the same with Blue Valentine and Pines. With this one, we are pushing all of our resources to the absolute limit. I sort of like that. I honesdy would get a bit nervous to take those boundaries away. I think boundaries as an artist are very important. Boundaries in filmmaking are important because if you have an edge to go to, you can get as close to the edge as possible, but if the edge is taken away from you then it’s hard to know the shape of something. I appreciate edges and I always know my budgets and my schedules inside out because I feel like I have to know the playground I’m playing in. So yes, this is slighdy bigger than anything I’ve done and more period than anything I’ve done. Its heart and soul are human and present. I want it to be in the now. I don’t want to make antiquated movies.

DDH: Amen.

Dane DeHaan in So It Goes magazine by Guy Aroch - new HQ photos

More photos from “So It Goes” magazine photoshoot

Finally the wait is over. “So It Goes” magazine’s Issue 4 (with Dane) has finally been released! If you are a lucky UK fan, I suggest you buy yourself this iconic issue. But if you are not, you can still ORDER yourself a copy from the magazine’s website.
I have updated the gallery with more photos from this amazing photoshoot, as well as replaced old photos with better quality versions. Posing for casual images, Dane is washed over with Aroch’s signature retro infused hues. From lean-cut, tailored suiting to contemporary sportswear that includes the popular bomber jacket, stylist Liz McClean (Brydges Mackinney) pulls together a solid wardrobe for DeHaan. Check out the photos below:




Dane DeHaan by Guy Aroch for So It Goes Magazine: exclusive outtake

Dane DeHaan in ‘So It Goes’ magazine: more information + pre-order

Yesterday I already shared the exciting news with you: Dane is featured in Issue 4 of So It Goes magazine. Today I am going to share more exciting news with you: some information on what to expect. Dane is interviewed by his Place Beyond the Pines director and friend Derek Cianfrance in a 1500 word Q&A piece. The feature is the cover and has a 12 page photoshoot by Guy Aroch to accompany the interview.

This is definitely such a gift for all of the fans. But it’s not all of the news yet. Thanks to So It Goes magazine, I am able to share an exclusive outtake (that won’t be in the story) of Dane’s photoshoot. WOW, looks like we have a LOT to look forward ot, right? I guess a lack of Dane’s new material lately was worth the wait.

If you still haven’t done it, please PRE-ORDER this great issue from the magazine’s website. It is shipped worldwide, so all Dane’s fans have a chance to get it!




Dane DeHaan features in So It Goes magazine (2014) - photoshoot by Guy Aroch

Dane DeHaan is featured in the upcoming issue of “So It Goes” magazine

We have great news. Dane is featured in the upcoming Issue 4 of So It Goes magazine. The magazine features an article on Dane, as well as amazing new photoshoot photos taken by Guy Aroch. You can already pre-order the issue on the magazine’s website. I can honestly say that I can’t wait to read an article, as well as see the photos. So far I added previews of the magazine’s photos. I will be adding an article and photos on the website when it becomes possible. So far, please support Dane and purchase an issue!




Dane DeHaan during Life After Beth Sundance 2014 Portraits session - exclusive outtakes by Christopher Beyer

HQ photos: Sundance 2014 Portraits

I know we already have a lot of photos from “Life After BethSundance 2014 Portraits session, but these new exclusive outtakes are extremely adorable. I cannot express in words how lovely Dane looks when he smiles so sincerely! Check out these great photos below. Dane’s smile can definitely light up everything around him :)




Dane DeHaan: exclusive Life After Beth 2014 promotional photoshoot outtakes (HQ)

HQ photos: “Life After Beth” promotional photoshoot outtakes

I am happy to share with you all a few of new Dane‘s “Life After Beth” promotional photoshoots photos. A few of them have been chosen for the official poster (UK and USA versions), but some are new to us. Dane looks so cute, it may be one of my favorite photoshoots of him. Please check out the HQ photos below. And please, whenever you repost the photos, give credit to Dane-DeHaan.org, since photos are exclusive to us!




Photoshoot update: new photos from Sundance 2014 “Life After Beth” photos + “Flaunt” 2012 photos in HQ

Dane DeHaan for  for Los Angeles Times on January 18, 2014 in Park City, Utah - Life After Beth HQ photoshoot

I always get excited when we get to see outtakes from any of Dane’s photoshoots and portraits sessions, as well as when we find better quality photos. Dane is always an amazing model, so no one can judge me for getting too excited, right? Today we are lucky to enjoy new HQ outtakes from Dane’s Life After Beth Sundance 2014 portrait session for Los Angeles times. He is just so adorable!




I was also able to get HQ versions of Dane’s “Flaunt” 2012 photoshoot. This is one of my favorite Dane’s photoshoots ever, so I was definitely happy to get the photos in better quality. Hope you will enjoy them as well:



Photoshoots update: HQ versions of older photos added

Exclusive: HQ Session: Dane DeHaan, Entertainment Weekly, February 8, 2013 - Dane DeHaan

It’s been a while since I’ve last updated the site. I’ve missed my lovely Dane fans, and hopefully I am finally free and can update as often as I used to :)
I have a small present for all my visitors: I replaced several old low quality Dane’s photoshoots with HQ versions: a real improvement, if you ask me. You can now appreciate Dane’s beauty in it’s full mode. Enjoy:











Photos update: UHQ versions of old photoshoots added

Dane DeHaan UHQ photoshoot for Vanity Fair Italy by Fabrice Dall'Anese - 2012 UHQ

I know lately we’ve been Dane-related information and news deprived. While we are waiting for anything new, I decided to do small update in the photoshoot section. I’ve added UHQ versions of old Dane photoshoots. We only had them in large quality before, so this is definitely and improvement. I replaced old large photos of two Dane photoshoots: the 2010 session by Corey Hayes (which is also one of Dane’s first professional shoots ever) and the 2012 photo for Vanity Fair Italy by Fabrice Dall’Anese. Make sure to check them below:





Photos: EXCLUSIVE photoshoot outtakes

Dane DeHaan for Interview magazine - 2011. Exclusive UHQ rare unseen outtakes. Exclusive to Dane-DeHaan.org

Hey guys. I’ve just added exclusive new photos of Dane from old 2011Interview” magazine photoshoot (as well as replaced the current photos we had with UHQ versions). I can say that it is one of my favorite Dane photoshoots, and I was very excited to share these with you. Hopefully you will like them as much as I do.




Please respect me and give credit to Dane-DeHaan.org when posting them on your fansites, groups, etc. I’d truly appreciate it

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